Review of Outlining Your Novel: Map Your Way to Success

Outlining Your Novel: Map Your Way to Success by K.M. Weiland
My rating: 4 of 5 stars

Most of the other reviews cover it pretty well. What I liked about this book is that K.M. Weiland presents several variations on the humble outline.

Most people hearing the word 'outline' immediately remember I. A. 1. a. and all the indenting and if you have A and B, then you must have C and on and on.... THAT kind of outlining is a nightmare, and there is no way I could use it to get my stories straight.

K.M. Weiland also includes interviews with authors who choose to outline or not and why or why not. It's a neat feature, but wasn't important for me in making a final decision to outline, but it did seem to make it "Okay" if you decide that outlines only work for you under certain conditions, say.

Aside from a few cliché phrases the book is well-written, which one would expect from someone who teaches writing. The author takes a descriptive tone, rather than a prescriptive one, when writing about outlines; that is always refreshing when reading writing books. Weiland also gives examples of the benefits, which according to her conclusion in this book, far outweigh the cost in time and frustration if an outline is not used, i.e. if one is a "pantser."

K.M. Weiland also has a helpful vlog, which is how I first learned about this book. Check it out.

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A Review of The Book of J

The Book of J by Harold Bloom
My rating: 5 of 5 stars

Bloom shares his interesting ideas about the parts of the Torah/Pentateuch which were written by the Yahwist, whom he calls J. Rosenberg's translations of these parts is amazing; really bringing out the irony that Bloom mentions so often in this book.

Religion doesn't play a part in this project, in fact, Bloom makes the argument that J should be considered blasphemous when taken in conjunction with the orthodox views of God, Yahweh, or whatever one happens to call this character; that is what Yahweh is to J: a character.

Knowing something of the Bible is more than helpful; and actually, I can't imagine anyone who doesn't know the Bible fairly well being interested in this book. Even lit geeks, if a knowledge of the Bible is lacking, may have trouble with most of what Bloom says about the sections which scholars believe were written by J.

Bloom discusses J, E, P, D and R: writers and redactors who had a hand in what we now call the Torah or the Pentateuch. Some religious believers don't like this, because the Bible itself says that Moses is the author. However, scholars have been able to recognize different styles, and certain aspects of an earlier writer which were missed inadvertently by a later one.

I will spare the details, because Bloom does a much better job of expounding them. But, he doesn't go into depth with any writer, except J.

My interest in this book was from a textual comparison point of view; I have been fascinated by the differences, often glaringly contradictory, in many translations of the Bible (as well as other books). This is evidence that translations do indeed usually signify interpretation. Therefore, no translation can be 100% accurate, as even the original is open to interpretation. This can become a thorny mess and has led to many arguments, which thankfully, Bloom doesn't spend too much time on. His interest is mostly literary, so he avoids much of the theological/philosophical arguments concerning the meanings, etc. This also gives him freedom to take off the "rose colored glasses" of religious interpretation, which often blind readers to what is actually written.

If you are at all interested in the history of the text of the Tanakh/Old Testament, specifically the Torah/Pentateuch/Books of Moses; or in textual comparison, interpretation, criticism, etc.; then, I recommend this book. It does lack a scholarly apparatus, as many of Bloom's books do, making it difficult to do further research, etc. from this text. It is, however, a good place to begin, and (as it was meant to be) to be enjoyed by the lay reader/general public.

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Review of Alone With All That Could Happen

Alone with All That Could Happen: Rethinking Conventional Wisdom about the Craft of Fiction by David Jauss
My rating: 5 of 5 stars

I just finished this; there is much to absorb, but for starters Jauss, as is hinted at in the subtitle, comes at writing from a different angle. At least one I haven't seen. There are several chapters dealing with many aspects of writing, but none of it is prescriptive: I loved that.

Not that I dislike prescriptive books on writing. They have their place. But, sometimes, you have to be reminded why you're doing this (beyond the "I just have to write" thing). Jauss shows some ways to make the connection between craft (which is necessary) and art (which is vital). Without art, fiction feels plastic: and I'm not talking about the good kind, i.e. flexibility. I'm talking about it feeling fake, lifeless. Art without craft makes for some tough, and let's be honest, boring reading on occasion. So, we need both, and Jauss helps.

It was refreshing to read a book about writing that isn't trying to make you sit down and write a set number of words everyday, or to write for a set number of hours. Jauss brings out different aspects that many beginning writers probably never even get around to thinking about. And I know some published writers haven't gotten around to them, either.

One of my favorite parts was the last chapter: in it Jauss argues that writers, in order to really be creative, must learn to think differently: they must learn to hold contradictions in their mind; they must learn to negate themselves in certain situations in order to spark the creativity.

That may sound weird, but I don't want to give away too much. If you are a writer, or are even interested in literature, this is an excellent read.

I'm going to read it again....

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WTF Is This Blog Even About?

I know, I know.  I have no rhyme or reason to my posts.  Well, I do to some of them... Right?
I have a tendency to blog about things that strike me at the moment, and thus require almost immediate comment or they will be lost to the archival darkness and my chance to have my voice heard will be gone.  I know this, because I have let these opportunities slip by uncommented upon too many times.  I'm ashamed, really.

Well ... anyway, often I read a news article or another blog post or hear someone say something while I'm out and about (which is rare, by the way--since I am something of a recluse), and it sparks ideas that I cannot get away from.  So, I start pounding away on this blog.  (That almost sounds naughty).

As you can tell, if you read enough of my posts, there is a sort-of thread or connection.  No, I don't know what it is, but it has to be there, right?  I mean, I'm not doing all this writing for nothing.... am I?  Am I?  Hmmm....  Good question.

The blog is a conglomeration of my thoughts spilled out into words and posted here for all the world to ignore, if they so wish.  Or to read and comment on, if that is more to their liking.  Or to take and make better, which I hope is what happens most.

I am a writer and I write about things that are important to me, about things that move me, about things that make me think or wonder or just shake my head in utter dismay....  For example, my last post about heeding warnings.  How many people ignore those?  Why do they do that?  If I was involved in preparing those warning systems and those people didn't listen and died, and lost their dogs and their homes and their belongings and everything else, it would eat me alive!  I would want to scream from the rooftops, "WHY????"  even if I am a reclusive introvert and don't want that kind of attention.  Lives are important, life is important.

Wow!  I have officially ranted and raved on and have basically said nothing.  If you've read this far, I'm not sure if I should congratulate you or be afraid of you.

Now, a point (which according to all the rules, I should have made much earlier, but, hey, I didn't wanna!): it is writing that ties this blog together.  I'm not published in the strict sense of the word.  Yes, I have this blog and that is a form of being published, but I would be hardpressed to use this as an example of my writing that would win me a book contract with a publisher of books.  That was a clunky sentence, huh?  O well.  This is my place to practice publicly.  You know you can practice writing all you want, but you have to let someone read it.  I mean, what else is the purpose of writing anything other than a diary/journal?

I write because I feel compelled to write.  It drives me.  Most of the time I am writing in a journal, or notebook or working on a novel (that is not in a state to be seen by anyone, yet) and so I have to write a blog post, to get that feeling that someone, anyone, is reading what I write.  It  may sound crazy, because I'm just writing about all kinds of things that are not closely related when I write here, and in my other writing, I am hopefully keeping a cohesion and a tightness in my writing.  But, this is a necessary part of my writing.

This blog is my way of discussing ideas that are important; some of those ideas will eventually end up in my other work, simply because I took the time to hammer out some of the kinks in my thinking right here, for all the world to see.

You have to be getting tired of all this by now, so, I'm shutting up.

Thanks for reading....

Attention Contention

Publishers and editors seem to suffer from what appears to be adult ADHD (Disclaimer: I am not a psych doctor, so I can't make this diagnosis for real).  They press new writers to maintain constant tension for their potential readers; keep the pressure on, keep them turning pages; in other words, don't bore them with anything that might strain their weak, failing, meager attention spans.

It won't be long that novels will have to be the length of short stories and short stories will have to be one word that captures the entire emotional and psychological life of a character: e.g. Jesus wept.

I contend that we, as humans, as readers, as writers, have the responsibility to rebel against the publishers and editors, for the sake of our children and their children.  Attention spans are quickly becoming endangered and if something drastic is not done, will follow the Dodo into extinction.