Showing posts with label symbolism. Show all posts
Showing posts with label symbolism. Show all posts

31 October 2012

What is Love, Really?

The word love is thrown around, misused, abused and often misunderstood.  One of my biggest pet peeves, for example, has to do with one of the most popular uses of the word: i.e. "We made love."  It makes me crazy because people say it even when love, per se, is not involved.  Why must they use the word euphemistically?  Why can't they just say, "We had sex"?  I won't go on that rant just yet...  I'll save it for the post I do on eros (ἔρως); whenever that is.  

I would like to look at the types of love (more in a moment) in different ways and in different places: literature, symbols, ritual, sacred writings, spiritual/mystical writings, philosophy, and many, many more!  Yeah, that might happen.

I am not a Christian, but I have, over the years, thought many times about a sermon[*] I heard once (when I was Christian): the subject was the types of love: agape (ἀγάπη), philia (φιλία), storge (στοργή) and eros (ἔρως).  It was one of my favorites and it keeps coming back to me.  It's just a good topic; the world needs love, of whatever kind, right?  True love, I believe is about commitment: this is apropos with regard to any of these types of love.  All of them come down to being committed to the other person.  Anyone that's not you is an other (I guess I shouldn't open that topic here), so commitment is necessary.

After deciding I wanted to dwell on the subject of love for a few, I searched for, found and am currently reading C. S. Lewis’s book, The Four Loves, which covers this topic; I'll try to quote from it from time to time and hope that others find it as interesting as I do.  

What really interests me in this study is that “storge” (στοργή) is not in the New Testament.  I searched The Analytical Lexicon to the Greek New Testament [1]The Complete Vocabulary Guide to the Greek New Testament [2], and Strong's Exhaustive Concordance [3]; none of them have it.  So, I thought that perhaps it was a Platonic word, being that much of Christian doctrine was merged with Plato’s philosophy during the Middle Ages. 

Doing a little search online, I found that the word “storge” (στοργή) was used eight times by Flavius Josephus in his Antiquitates Judaicae (Antiquities of the Jews).  A tie is held, as far as usage goes, by Aelian, whose work I don’t know, but it is also used eight times in his De Natura Animalum (On the Nature of Animals).  Next, it is used six times by John of Damascus, of whom I also know nothing, in his Vita Barlaam et Joasaph (The Life of Barlaam and Joasaph). 

Several others, including Aristotle in his Metaphysics, use the word four or fewer times.  It is interesting that it is not in Plato, but is in a few of the early Church fathers: Saint Basil, Bishop of Caesarea, Epistulae (Letters), John of Damascus, mentioned already, Eusebius in his Historia ecclesiastica (Church History).[4]  So, here, I guess, with the early Church fathers we can see how it eventually made it to us.  There is the possibility that we could have acquired this word, as “affection,” from Josephus, but it is most likely that it came through the Church doctrines which have not changed all that much over the centuries, even if there have been major splits and disagreements among the various sects of Christianity during that time.

This makes me want to intensify my Greek and Latin studies…. 

Maybe I'll look at storge (στοργή) in my next post (which most likely will be in December), then work my way through the others and hopefully learn something along the way.  These may come slowly.  That sounds confident, doesn't it?  Anyway, please don't hold your breath waiting for the next post on this topic. 

Also, I want to be very frank here: I am going to participate in the NaNoWriMo challenge during the month of November, so right now I have nothing planned to post during the month.  I may post something, but I don't plan to.  And, I may not even do an entire series on love, but will sporadically post about it.  As I do with everything, right?  Like I said, don't hold any breath.  An interest hits me and I run.  Sometimes, the interest is sustained, other times, it's not.  

Till next time ... 



[*] This sermon was given by Mike Beecham.
[1] William Mounce
[2] Warren Trenchard
[3] James Strong
[4] http://www.perseus.tufts.edu/hopper/resolveform?type=start&lookup=storgh&lang=greek and: Word frequency information for στοργή:  http://www.perseus.tufts.edu/hopper/wordfreq?lang=greek&lookup=storgh%2F




31 August 2012

Review of Alone With All That Could Happen

Alone with All That Could Happen: Rethinking Conventional Wisdom about the Craft of FictionAlone with All That Could Happen: Rethinking Conventional Wisdom about the Craft of Fiction by David Jauss
My rating: 5 of 5 stars

I just finished this; there is much to absorb, but for starters Jauss, as is hinted at in the subtitle, comes at writing from a different angle. At least one I haven't seen. There are several chapters dealing with many aspects of writing, but none of it is prescriptive: I loved that.

Not that I dislike prescriptive books on writing. They have their place. But, sometimes, you have to be reminded why you're doing this (beyond the "I just have to write" thing). Jauss shows some ways to make the connection between craft (which is necessary) and art (which is vital). Without art, fiction feels plastic: and I'm not talking about the good kind, i.e. flexibility. I'm talking about it feeling fake, lifeless. Art without craft makes for some tough, and let's be honest, boring reading on occasion. So, we need both, and Jauss helps.

It was refreshing to read a book about writing that isn't trying to make you sit down and write a set number of words everyday, or to write for a set number of hours. Jauss brings out different aspects that many beginning writers probably never even get around to thinking about. And I know some published writers haven't gotten around to them, either.

One of my favorite parts was the last chapter: in it Jauss argues that writers, in order to really be creative, must learn to think differently: they must learn to hold contradictions in their mind; they must learn to negate themselves in certain situations in order to spark the creativity.

That may sound weird, but I don't want to give away too much. If you are a writer, or are even interested in literature, this is an excellent read.

I'm going to read it again....

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20 April 2012

Complacent or Vigilent?

Sometimes, the most cautious are still caught unaware by severe weather, e.g. my friend in Joplin, who was driving home with his family from his daughter's graduation, in May 2011, when their world was turned upside down by that unexpected change in the weather.

Today, in the news, they are asking:
Could better tornado warnings cause complacency? - msnbc.com

Meteorologist Rick Smith said he hopes that for residents who prepared and were spared, that their work doesn't lead to complacency.
"I don't want people to think preparedness efforts are ever wasted," Smith said. "The weather radios people bought, the plans people reviewed on Friday and Saturday, it's not like you're never going to use those again.
"If you didn't use them on Saturday, you should be thankful and glad."
Having myself lived in an area where tornadoes are prevalent, and watching peoples' reactions to them, I have come to the conclusion that people are going to be what they are: that is: if they are already complacent, they will continue to be; if they are not, they will continue to be vigilent.  All things considered. Still, I agree with Rick Smith quoted above, that preparedness is not wasted.  People need to take that stuff seriously, without regard to how many times they have survived or their relatives have survived or whatever.

Those people involved in developing these warning systems are doing all of this to save as many lives and as much property as they can.  When people disregard their warnings (even if they turn out to be not as bad as they sound at the time of warning) they are, in a sense, slapping the developers, scientists, storm-chasers, and all the others involved in warning them, in the face.

I moved away from that part of the country, and one of the major decided factors in my doing that was the weather.  I had grown up with that as a child, and don't remember being overly cautious or frightened.  But, as an adult with a family, it was a completely different game.  I know some people can't move, or refuse to for whatever reason: family, land, fear of the unknown, jobs.  This list could go for days.  But, if they stay, they should be vigilent and give heed to the warnings.  The warning system does save lives.

There is probably a metaphor, or a symbol of some kind in this.  At least a lesson that could be shown in a story without going all Aesop on the reader, right?  Kind of like the movie The Day After Tomorrow is a lesson about screwing up the environment....  Hmmmm....