Review of Don Winslow's The Power of the Dog

The Power of the Dog by Don Winslow
My rating: 5 of 5 stars

This is a long book, but the length (as Jane Smiley writes about in 13 Ways of Looking at the Novel) is a promise, not a threat.

The action is quick, the tension is high and the conflict is believable. There are neither purely good guys, nor completely evil bad guys. It seems like Winslow covered everything from family to feigned friendship, from faith to agnosticism, from obsession to oppression.

The War on Drugs plays a major role in this novel, as does the U.S.'s use of that travesty and failure to maintain a large distance from Communist countries: in other words, to keep them from moving in right next door.

Winslow's characters are both likeable and not. Some, I wanted to side with initially, only to rethink my loyalty later. It really is a great ride through the psychology of trying to reach a goal that may be, when all is said and done, unobtainable: e.g. the War on Drugs. It's like a war against dirt, it is never-ending and demands constant vigilance (which, if truth be told, is a waste of time, i.e. dirt will win). I'm not making a judgment on drugs (or on dirt, for that matter), but on the ways in which the U.S. has "tried" to stop the flow of those drugs. Billions of dollars have been spent, and many of those billions have ended up in the pockets of the heads of the very drug cartels that were the targets of this fiasco called a war.

Winslow does an excellent job of presenting the history necessary to tell his story without dragging in so much as to make it a boring read. He uses what is necessary, leaves out what isn't.

At the very least, this novel has made me think about the U.S. relations with our neighbors to the south in North, Central and South America. Was the War on Drugs really just a way for the U.S. to keep Communists from moving in right next door? Did the U.S. supply anti-communist fighters, who also happened to be part of the huge flow of drugs into and money out of the U.S.? Will you read this book and wrestle with your own questions about these issues?

That's all I can suggest: read it.

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The Power of the Dog (Vintage Crime/Black Lizard)

Review of The Devil All the Time by Donald Ray Pollock

The Devil All the Time by Donald Ray Pollock
My rating: 5 of 5 stars

Many times while reading The Devil All the Time I thought of Flannery O'Connor, especially her "A Good Man is Hard to Find." Also, a couple of times Joyce Carol Oates's short story, "Where Are You Going, Where Have You Been?" came to mind. Both excellent stories, and I recommend them highly if you like The Devil All the Time. It's not so much in the way Pollock writes, he's not a copy cat, but has his own style and voice. It's more the content that reminds me of those other stories.
The novel follows the life of Arvin Russell: beginning with him and ending with him. The other characters, though initially seeming to have nothing to do with Arvin, all slowly become part of his story. I got the feeling of a drain swirling, with whatever is caught in that whirlpool moving ever closer to the center; in this case the center is Arvin. The characters are well written and the tension is pretty good and the chapters are fairly short: which means "I can get one more chapter in before I go to sleep." Then, four chapters later, I actually close the book. It kept me interested.
Pollock's novel is set in and around Knockemstiff, Ohio, which was new to me. And some of the description reminded me of Cormac McCarthy's novels set in Tennessee, especially the shorter ones, like Orchard Keeper, Outer Dark, and Child of God.
I stumbled onto Donald Ray Pollock during some research for another author. I found that Pollock had won several awards and honors for his work and decided I would read something by him. I was not disappointed.
If you like the stories mentioned above, or other stories, such as The Wettest County in the World by Matt Bondurant (recently adapted into the film Lawless), or Faulkner or McCarthy, then I would recommend The Devil All the Time. Now, that's not to say that if you don't like any of those I have mentioned, you won't like this book. The best I can say is: read it and see for yourself.


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Review of The Robber Bride

The Robber Bride by Margaret Atwood
My rating: 4 of 5 stars

It is not my favorite Atwood, but it kept me interested. Atwood does an excellent job of character building, almost Dostoevskian in the inner and outer depth and overall scope. Some of the action I have a little trouble believing, but Atwood does provide reasons, within her character development, for those actions (sometimes after the fact); they are just not the actions I would take or would, in most cases, expect someone else to take. I was a little disappointed, in other words, with how some of the characters reacted to the "antagonist," for lack of a better word. Personally, I expected (several times) this character to be beaten to unconsciousness or murdered, but alas....

If you are an Atwood fan, I don't think this book will disappoint. Like her of her works, it differs from the others, but still has the Atwood style, diction, beautiful language and excellent character development.

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Review of Cormac McCarthy's Child of God

Child of God by Cormac McCarthy
My rating: 4 of 5 stars

Coming to this book, I knew only that the main character, Lester Ballard, had some strange ways, but I didn't know how strange until several chapters into the book. It is an interesting read; McCarthy has a way of making it seem dream-like: broken up, but still flowing together. I'm not sure that makes sense, but that's how it reads to me. He kept the chapters short, most being only a single scene: some shorter, some longer. The short chapters coupled with Lester's bizarre behavior keeps you turning the pages, not to mention the "need" to know what happens....

There is a strong link to mythology in most of McCarthy's work and this book is no different. There are trips to the underworld, shape-shifting and tragedy among other motifs.

Without giving away too much, I will say that this book is not for the faint of heart. If Nabokov's Lolita bothers you, then there is a possibility that this will, too. It isn't exactly the same as Lolita , but the deviance of Lester, the main character, is very pronounced as is that of Humbert Humbert. But, in the case of Child of God, Lester is not the narrator.

I wonder if you could still call Lester a protagonist? He does change, but not much. The reader gets the sense that he is depraved right from the beginning. It's the level, or depth, of his depravity that changes.

The writing itself will not disappoint fans of McCarthy. His prose, as always, is tight and musical; the critics like to call it poetic, which it is. It damn near sings. I give it four stars simply for the prose. The content gives me pause; that's not to say that we should ignore it, it's just more unsettling than a book with a happy-go-lucky attitude and a bright happy ending. McCarthy almost never has happy endings and this is no exception. He does have "just" endings on occasion, or endings in which those who deserve it get it, if you get my drift.

I will read it again, simply because I love McCarthy's writing and want to learn from him. If I were reading it as a reader only, once would be enough--maybe more than enough.

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