Showing posts with label essays. Show all posts
Showing posts with label essays. Show all posts

27 September 2015

Writing Life

Writing is almost like air and water and food for me. Yet, I have yet to make a living doing this thing I love more than (dare I say it?) chocolate. When someone asks me what I do, the first thing that always wants to tumble from my lips is: "I'm a writer." Then, in this oh-so-grown-up and serious world in which we live, I realize that the inquisitor wants to know how I put victuals on my family (Thank you G. W. Bush). Then, I sigh, because that's what you do when you're forlorn, and give them some long, rambling blah blah that bores them and me and the fishes of the sea. These latter have been known to drown themselves from utter boredom.

So, why is it so damn difficult to send my writing out into the world? Surely I'm the only writer who feels this way. I am the only person writing in the safety of anonymity. But, who, unlike the Earl of Oxford, hasn't money with which to pay someone to let me ghostwrite for them and to persuade them to keep my identity secret. Alack the day.... The question, then, should be: "What do I want from my writing?" And: "Can I get that by writing 'only for myself'?"

Maybe you've seen Anonymous. In that film, the Earl of Oxford tells Ben Jonson that all art is political and if it's not then it's mere decoration. I have been thinking on that since I heard it. It has gnawed and scratched the recesses of my skull. Is it true? Is it not true? Is my challenge that I don't like politics? Is my challenge that I like chocolate too much? If I write with these things in mind, how will that feel? Or, maybe the artist doesn't keep the political gobbledygook in mind, but rather it just sorta seeps out like the toxins in sweat. Perhaps.

I know I'm somewhat nervous about sending my writing out. All kinds of thoughts work on me. E.g. What if I'm delusional and this sucks so badly that it makes people want to rip their eyeballs out? What if it's sooooo bad that it's like I'm unconsciously putting all my garbage out on on other people's lawns? What if others hate it so much that I am forbidden to ever eat chocolate again? Ever!

I have read many horror stories. No, not Stephen King's fiction, but rather his non-ish-fiction memoir, On Writing. He talks about the rejection letters. Other writers do this, too. It's like:

"See my scar?"
"Oh yeah? Look at mine!"
"That's nothing! I've lost a finger!"
"..."
"Why's that guy pointing at the air?"
"I think he's trying to tell us that he's lost his head."
"Oh yeah? Well, I've had my brainchild story rejected a gazzillion and eighty times...."

I think the writers who share those anecdota are in a sadistic way trying to encourage us lesser mortals. My self-doubt demons always chime in. "See, real writers get rejected. What hope do you have? No one wants to read your drivel. You should "keep it secret, keep it safe." You wouldn't want to be responsible for someone hurting themselves by inflicting that on them..... And on, and on it goes.

But, I know I'm the only one who feels this way, so I'm sorry for subjecting you to all of this codswallop.

Cheers!

31 May 2014

Review of Jorge Luis Borges's A Personal Anthology

A Personal AnthologyA Personal Anthology by Jorge Luis Borges
My rating: 5 of 5 stars

This is one of my favorite anthologies. I continue to re-read several of the stories, poems and essays. Borges was a master of the author-identity concept. Many authors attempt to spin an identity separate from the "real" them which is the identity they present to their public, to their readers.

Borges writes that he wants the works in this anthology to be representative of his work; he wants these works to speak for him.

I don't read Spanish, yet, so I can't say how close to the original these translations are, but they are wonderful to read and I imagine are very good.

If you're interested in identity in literature, Latin American literature, influence, or in literature in general, read this. I highly recommend anything by Borges, but like any literature, you have to read for yourself to truly to discover if you will enjoy it. And, with Borges, you should try to read a wide swath of his work, because it varies. That's what makes this a great choice for introduction to his work, it gives a taste of his fiction, poetry and essays (which, you may know are not always non-fiction).

Enjoy!

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A Personal Anthology

11 December 2012

Review of Magic Hours: Essays on Creators and Creation

Magic Hours: Essays on Creators and CreationMagic Hours: Essays on Creators and Creation by Tom Bissell
My rating: 5 of 5 stars

This is upsetting: I wrote a review here, about an hour ago. It's gone. I wrote the whole thing, clicked save down there at the bottom and ...

What have I learned from this? In future I will write reviews in a word processor or text editor and save them; then, I will cut and paste them here. This is a very frustrating experience: first, because I don't like writing reviews about collections--whether of essays or short stories or poems. My mind tries to go too many ways, even when, as in this collection, there is clear connection between the individual works.

Bissell connects his essays with the theme of the creator and the act of creating, whether that is in film, TV, fiction or video games. I'll confess that I did not read that essay: i.e. "The Invisible Girl," because I have no interest in video games or in how they are made.

The essays I most enjoyed are: "The Theory and Practice of Not Giving a Shit," in which Bissell visits the author, Jim Harrison (Legends of the Fall) and "Writing about Writing about Writing."

Harrison has the persona of the gifted artist; that special person who has been touched by the Nine Muses, maybe he has. There is a definite agon, here, with Hemingway, et al; it could be fun to look at Harrison in light of Harold Bloom's Anxiety of Influence.

Well, sadly, that's about all I can recall from my earlier attempt.

I do look forward to reading more of Tom Bissell's work, which I'll approach with curiosity and pleasure.


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