23 July 2015

Having Ears That Cannot See, Eyes Which Cannot Hear

The eye of man hath not heard, the ear of man hath not seen, man's hand is not able to taste, his tongue to conceive, nor his heart to report, what my dream was. Bottom, in Shakespeare, A Midsummer Night's Dream (4.1.211-214).

Blindness. I started it a few years ago, and having been distracted by other more pressing things, and not wanting to begin again after a rather lengthy hiatus, put the book on the shelf to gather dust along with my self-loathing for abandoning yet another obviously important and powerful book. I forced myself to recommence. I'm surprised I didn't go blind from reading for so many hours straight.

I got past the first part I had initially read and by then, I was all in: feet, hands, and all, up to the eyeballs!

This book, while a translation (which alone makes it layered), is seemingly simplistic. Nothing could be further from the truth. If one simply took the idea of voice, it would fill many pages with all of the nuances of meaning in that concept as it is depicted by José Saramago in this amazing novel. Yes, it can be read as simply a harrowing and interesting story.... But, why limit it; or yourself, for that matter?

Like Shakespeare's King Lear, this novel plays with the denotations AND the connotations of the words blind, and see. It also has fun and many memorable antics with such words/concepts as: hear, smell, taste, touch, balance, and fear, to list just a few. Particularly peculiar is synesthesia in lines such as "... blinding a man's sense of smell" (177). A reader would be rewarded by reading and rereading this work, each time focusing on a different of the senses as the theme.

Also, the ideas of clean and dirty, good and bad, right and wrong, self and other, us and them, are explored here, as are liminality, temptation and transgression. You would think the book would be several times thicker, something in the neighborhood of David Foster Wallace's Infinite Jest, or William Gaddis's The Recognitions, or maybe, War and Peace or The Bible, but Saramago pulls it off like he has Hermione Grainger's magic bag (which holds a large tent among other things). All the desirables and the undesirables have found representatives in Blindness. I mentioned The Bible because there is a lot of allusion to that work in this one. Adam and Eve, the lepers, and Ruth's words to Naomi: "Where you go, I will go."

The ideas behind this novel may not be known entirely, but it makes me think of the things that are truly important. If tomorrow, all the world goes blind, it won't matter if you are rich or poor, have a job or are unemployed, own a house or rent. When all the world is blind your looks no longer matter. Who cares if you have the perfect body or are a little fluffy? To the blind a Rolls Royce is not much different than a VW bug; they are unable to drive either of them.

It's the life itself that is important, that is precious; your life and the life of other living beings. The Buddha has this pegged. For some reason, the capitalism of our age has become a blind consumerism, where even relationships can be thrown away and new ones sought when we tire of them. The people who become the protagonists in this story realize the importance of relationship/trust/friendship over material or over class or any other dividing concept. People are equaled out and relationships/friendships are important. These people may not have become friends had their world not turned inside out. That's something to cogitate on. The latest iPhone, or Samsung, or even the cheapest most looked down upon flip phone, would be worthless if all the electricity was suddenly gone. Blindness has challenged me to reevaluate my priorities yet again. This is something I've done several times in my life. Don't get me wrong, here. Having things is great. I'm just trying to remind myself and you to keep it real and balanced out.

Unlike me, Saramago reminds his readers of these things without getting up on a soap box. He lets the characters live it out. The idea of show, don't tell is interesting in this work. How do you show blindness? Well, obviously it can be done; Saramago did it. Yes, he told, too, but I could see the people doing the things his words said. And, I haven't seen the film....

My only regret, besides not having finished this novel sooner, is that I can't read Portuguese and so can't read it in the original. Yet.

I hope you check it out and I hope you enjoy it, in all its gruesome glory, as much as I did.

18 July 2015

The Truth of Patience

True patience sees that within ourselves which is impatient. It recognizes that "rough spot" and can find humor in having been impatient. These are wonderful moments; we see that the thing we are impatient about isn't as serious as we've been making it out to be.

Once we see that, we can laugh and enjoy our lives more. When we put too much pressure on events outside ourselves, events over which we have no or little control, we, at that moment, make our lives immensely more difficult. We turn the screw of our stress and ratchet up our chance of becoming ill or, if we suffer a heart attack, our chance of dying.

Don't be in a hurry to die. Your day will come soon enough. And, I can guarantee you won't bemoan not finishing that project; you won't cry about not having enough time to sell one more whatsit.

You will regret putting off the important to do the ?? What? What should we call those things which cause us so much stress and really aren't that important in the grand scheme of our lives? True regret happens when we haven't lived with true patience, when we've tried to cram too much of the invaluable in instead of the invaluable.

17 July 2015

Gods Go Begging

"Everything turns on jazz."

The layers of meaning alone in this novel are staggering. Just to read it as it is is to be washed in, and reborn from, a river that brings love and life. To read it and contemplate the meanings, the symbols, the depth of its power, is enlightening.

In one place the boys on the hill, in Vietnam near the Laotian border, do some supposing: "'Supongamos, mis amigos!'" (111). The fact is, Alfredo Véa does some serious supposing and I am glad he does. This novel is one of those that changes the game. Véa  takes risks, and the risks blow all the usual conceptions of fiction all to hell, leaving a couple of feet and a dog tag, just so you know you're still in the territory, just so you know you haven't slipped away under the current of the river that leads to love and life.

Hills are recurring motifs, and war, and love; these and their counterfeits are all swirling around the psyche of one man with two pasts: Jesse Pasadoble. (Pasado = past; doble = double. Maybe there's a different explanation, but that's the one that spoke to me.)

I could simply say, "It's about a guy who ..." But, that wouldn't, couldn't, do it justice. And it's not about justice; it's about fighting for what you believe in; it's about first finding that in which you can believe. It's about moving on with life, even, and especially, if it isn't exactly what you wanted. We do our best and hope the Fates are with us one last time.

01 July 2015

The Halfway Mark

Nearly the apex, vertex, zenith of the year. Or, for those pessimists among you, the nadir. Around noon, today, 1 July, is the halfway point (182 ½ days).

It used to be my anniversary. Funny, the things we remember ... the things that come to mind; thoughts unintentionally attached to other thoughts. I smile. And now, the cliché: I'm sad it's over, yes, but, also happy it happened; happy it was part of what has made me me.

29 June 2015

Let's All Point the Accusatory Finger at Everyone Else

Review of Stephen Emmott's Ten Billion:

"So long and thanks for all the fish..." the dolphins as they leave the planet (The Hitchhiker's Guide to the Galaxy).

We can go on making fun of climate change, but that will not change the fact that it is happening; and, it will not change the outcome, which is not going to be pretty.

Water is scarce and we use tons of water just to make the things we all "can't live without." But, don't worry, your children and grandchildren will pay for it. I will not be shocked if the human race doesn't come awfully close, if not all the way, to extinction.

The wealth of the rich will not save them from death. It will not help them survive the breakdown of all the world's systems and the chaos and riots that will follow.

We will have a firsthand experience of Dante's Inferno. We will be living in a nightmare; worse than a nightmare, because we won't be able to wake up from it.

The scientist who wrote Ten Billion ends with this hopeful sentiment: "I think we're all fucked."

The world is going to Hell and taking the Earth with it.

Happy trails, my friends....